job fact file

Unit 3  

TV Job Roles Grid

Job Role	Roles and Responsibilities (what they do and are in charge of)	Qualities Needed (skills and or qualifications)
Camera Operator (Studio/Outside Broadcast)	The camera operator ensures that the cameras and associated equipment are rigged for the required setup. Camera operators must be able to multitask so they can watch, listen and think on their feet while carrying out complex technical tasks.	·         media studies; ·         performing arts; ·         photography, film or television; ·         journalism; ·         media production. Other relevant subjects include lighting, optics and cinematography. Entry without a degree or HND is commonly possible.
Script Supervisor	The script supervisor’s responsibility to monitor whether it is possible for every shot scene they take that has to be edited goes into a verbally and visually coherent sequence. During the preproduction they check the script for any errors or inconsistencies in the scene.	University of the Arts London Level 4 Diploma for Script Supervisors. Script Supervisors work as part of the Camera Department on feature films and television
Make-Up and Hair Artist - Film & TV	Make-up and Hair Artists are briefed by Make-up and Hair Designers, who provide them with detailed notes, character and scene breakdowns, and if necessary reference pictures about the characters they must create.	As a make-up artist you would apply make-up and style hair for anyone appearing in ... at least a Level 2 qualification in media make-up or an equivalent qualification
Director	The directors work closely with the producers and writer. Embellishing, refining and ultimately realising original ideas in to the programmes.	Although there are no specific education requirements, a bachelor's degree in a related field and relevant work experience are common preparation for prospective film directors hoping to launch their careers. The following table contains the main qualifications and requirements needed to become a movie director, according to the U.S. Bureau of Labor Statistics.
Researcher	Researchers may be briefed by the producers or other decision makes about the programme ideas and carry out further development for the programme	A degree in film and photography provides you with both technical and ... Thesecourses may help develop the skills needed for independent practice. ... film or photography-related courses, areas of postgraduate research.
Gaffer	During pre-production, Gaffers liaise closely with relevant Heads of Department, discussing all lighting aspects of the production, including crewing and equipment requirements, shooting dates and durations, etc. Gaffers subsequently produce a list of the required equipment, e.g. lamps, cables, generators, and request quotations from Lighting Companies for consideration by the Lighting Director or Production Company	First-rate electrical qualifications and skills combined with extensive ... working on various productions as a Sparks before becoming a Gaffer.
Boom Operator	Working either on location or on a studio set under the supervision of the Sound Supervisor/Production Mixer, the Boom Operator's main responsibility is to control the long boom arm, either hand–held or dolly–mounted (on wheels), with the microphone attached	o do this role, you will need to: ·         be a strong team player – many of the skills needed in this role involve working as a team as efficiently and effectively as possible ·         be willing and able to compromise ·         pay close attention to detail and concentrate for long periods ·         have good knowledge of audio equipment and sound technology ·         have knowledge of the television production process ·         have excellent hearing and a good memory for dialogue ·         have excellent timing for anticipating lines and moving the boom accordingly ·         have excellent balance, agility and physical strength, matched with good spatial awareness and hand/eye co-ordination ·         possess knowledge of microphone characteristics, lighting techniques and camera lens angles ·         have good communication skills, including diplomacy and sensitivity when working with artists and crew members ·         be patient, self-disciplined and reliable ·         have knowledge of the requirements of the relevant health and safety legislation and procedures